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Gerhard Richter
Animé par une recherche de dévalorisation de l’idéologie et de ...

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JonOne
Dans les années 1980, à New-York, JonOne digère le passé ...

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Pascal Dombis
"En passant de Fluxus à la culture mondiale des flux, ...

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Denis Darzacq
Renaud Faroux : Peut-on voir chez vous un certain sens ...

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Breaking news: exhibition

Incandescence
22/10/2011 - 20/05/2012
(Vannes)

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Abdoulaye Konaté – Tentures teintures
07/03/2012 - 05/05/2012
(Paris)

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Matisse. Paires et séries
07/03/2012 - 18/06/2012
(Paris)

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Les Juifs dans l’Orientalisme
07/03/2012 - 08/07/2012
(Paris)

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Breaking news: movie

Métaphysique du "software"
Artist : Bill Viola
Productor : Art Absolument, Renaud Faroux & ...

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Palettes, l’intégrale
Une collection de 50 films pour redécouvrir et comprendre 50 ...

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Try Now 6 month subscription
Offre découverte : pour 6 mois d'abonnement, soit 3 numéros ...

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Berthe Morisot
Jean-Dominique Rey Flammarion Dernière monographie en date consacrée à l’œuvre de ...

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Théodore Géricault
Nina Athanassoglou-Kallmyer Phaidon La vie tourmentée de Théodore Géricault, disparu à ...

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Catalogue de l'exposition "Traits d'Union. Paris et l'art contemporain arabe"
Cette publication bilingue(français-anglais) de 208 pages illustrées de 200 images ...

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Breaking news: actuality

Un nouvel écrin pour le musée de l’institut du monde arabe (IMA)
À l’occasion de son 25ème anniversaire, l’institut du monde arabe ...

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Ouverture du nouveau Musée Toulouse-Lautrec
Après onze ans de travaux et 38 millions d’euros investis, ...

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About us

In our contemporary societies, art never had as much vitality: one can speak of a true sociological phenomenon, probably related to a desire to surpass the individual and collective self - a “symbolic surplus”. In France, since 2000, major exhibitions, either about the Old Masters or modernity and those regarding faraway cultures, attract an ever growing audience; new institutions are emerging; foundations are created; collections are built up; writers of talent take again art as principal theme of their fictions; several artists generations, of aesthetic and other genres of art, coming from France or elsewhere, arrive here to exhibit; increasingly many of them enjoy international recognition. After decades of relative quiet, Paris seems to become again a hub of art.
However what about "the Work" as such? What are its criteria? Its issues? How to distinguish between the superficial and the profound, the ephemeral and the lasting? How to contribute to art history that keeps evolving? Are there values that transcend boundaries and affiliations, the past and the present? Under which circumstances does a singularity turn to universal - absolute?


The review (art absolument) was founded in May 2002 by Pascal Amel, writer, and Teddy Tibi, art amateur and contractor. It discusses "aesthetic shock" felt for cultures artistic heritage, as well as the links between art of the past and today’s. It also addresses plurality and diversity of French or residing in France artists. Furthermore, artists along with writers and art critics are accorded free speech; curators are invited to express their point of view, as well as collectors putting the work in the heart of their concern. (art absolument) combines culture with values sharing and recognition of the other’s specificity: an editorial bias off the beaten path.

The company Subjectile art, created by the same ones and Charles-Henri Filippi, in February 2009, innovates in art through several activities which the main one is publishing the review (art absolument) .