In anticipation of the final acceptance of the work after four years of closure of the Musée d'Art Moderne, and of Act I of the opening to the public of the new Impressionist collection room, Parvine Curie is back in Troyes to inaugurate the temporary exhibition space with the sobriety of her massive, smooth, black pieces, part of an all-too-little-seen section of post-modern sculpture, of which she is the ultimate living representative.

Excerpt from an article by Laurence d'Ist to be published in Art magazine N°108 Absolument.

exhibition's website