By focusing on photography in the work of Anselm Kiefer, the Lam exhibition shows that, containing all its overflows of materials and references, the German artist never ceased to associate it, and sometimes to burying it to better exhume it, in its monumental staging of the catastrophe.

Extract from the article by Tom Laurent published in No. 109 of the Art Absolument magazine. Published on January 11, 2024.

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