La Marrade : rire plus fort, prendre la place

La Marrade : rire plus fort, prendre la place : ORLAN, Le Baiser de l’artiste souriant. Le distributeur automatique ou presque !, 1977,  épreuve gélatino-argentique sous Diasec, ed. 1/7, 175 x 135 cm Courtesy de l’artiste et de Ceysson & Bénétière  Photo © Studio Rémi Villagg © ADAGP, Paris, 2026   


The exhibition


In an art world where prestige is too often confused with rigidity, bringing laughter into a museum is a political gesture. This is even more striking when visiting La Marrade during Art Week: a welcome escape from pretentiousness, a return to archives that are as electrifying as a demonstration.

It is valuable that the LAAC embraces laughter as a force for subversion. For the context is not neutral: misogyny and inequality remain firmly entrenched in our circles. The list of names posted in the toilets at Art Basel reminds those who do not see them... Here, however, a counter-narrative is being developed, meticulous, documented, joyful.

Excerpt from issue 116, to be published on 16 January 2026
JEANNE MATHAS

When


18/10/2025 - 08/03/2026
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