Andres Serrano
1950 (New York)
Working in : New York
Artist's webSite
Artist's gallery
On the occasion of the MEN exhibition in November 2025 at the Art Absolument space.
Andres Serrano challenges virile iconography with Hercules Punishing Diomedes (1990), a mythological battle in a mixture of blood and urine, questioning the sacredness of representations and their morality, in the same way as his Black Supper (1990), a monumental work reinventing Leonardo da Vinci's The Last Supper. “I don't feel like I'm destroying icons. I believe I'm creating new ones,” he explains.
Working in : New York
Artist's webSite
Artist's gallery
On the occasion of the MEN exhibition in November 2025 at the Art Absolument space.
Andres Serrano challenges virile iconography with Hercules Punishing Diomedes (1990), a mythological battle in a mixture of blood and urine, questioning the sacredness of representations and their morality, in the same way as his Black Supper (1990), a monumental work reinventing Leonardo da Vinci's The Last Supper. “I don't feel like I'm destroying icons. I believe I'm creating new ones,” he explains.